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Showing posts with label Movies. Show all posts
Showing posts with label Movies. Show all posts

Salman's epic film to break records!

Posted by blog master Saturday, January 16, 2010

The Horse in Motion by Eadweard Muybridge.Image via Wikipedia
Salman Khan won’t have to make much of an effort to take his film Veer, an Eros International Media Ltd presentation and Vijay Galani Moviez production, to international audiences. “The grandeur, budget, sets, its action, writing, the acting, cinematography, and score put it on par with Hollywood films like Gladiator, Troy and Braveheart,” said a trade analyst. Coincidentally, Mel Gibson wrote Braveheart while Salman penned Veer himself !

“Salman is the ideal star to play a warrior; his gravelly voice and impressive physique combine to give him a huge presence. He is larger than life and adds charisma to a vengeance-driven heroic character,” said Galani. Director Anil Sharma without the use of computer effects has given Veer the feel of a classic epic project. “It was shot extensively in Rajasthan where action sequences involving thousands of fighters, horses, hundreds of elephants and camels, including huge sequences such as a train robbery and a full-fledged war were shot. Shootings also took place across the United Kingdom using chariots, vintage costumes, horse carts and items peculiar to the late 19th century. In fact, it’s the first Bollywood film that has been shot in Buckingham Palace,” said a source from the film unit.

Salman took almost 20 years to write this saga of a freedom fighter, a Pindari soldier who fought for social justice and independence. “Rarely does an entertainment house get the opportunity to work with superstars to produce a movie of the grandeur and scale of Veer; which is the magic of storytelling on a large canvas, a story written by the lead star himself. At Eros, we believe this could well kickstart a trend in Indian cinema,” says Managing Director and Group CEO – India, Eros International Media Ltd, A P Parigi, about the film that’s “waiting to break records on January 22”.
source-movies.indiatimes.com
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Shahid on the controversial smooch with Genelia

Posted by blog master Wednesday, January 6, 2010

Chance Pe DanceImage via Wikipedia
Shahid Kapoor is controversy's favourite child. The latest is, the actor forced his Chance Pe Dance director Ken Ghosh to delete the passionate smooch from the film. Reportedly, Shahid felt that it wouldn't be good for his image when he saw the final cut of the film.
"I've stopped reacting to gossip," Shahid tells me. So what's the truth? "The truth is, there's no smooch in the film. It was never conceptualised, hence it was not filmed. It just doesn't exist. As simple as that," Shahid clarifies.
Meanwhile, Shahid has decided against signing any film for the time being. "I am channelizing all my energies on my father's [Pankaj Kapoor] directorial debut. We plan to begin shooting in March. That's the only film I have on hand right now," he says.
Reportedly, the film is inspired from the Tom Cruise starrer Top Gun. "Well, the only similarity is that I play a naval officer in the film. In the past, Rajesh Khanna and Shah Rukh Khan too had played naval officers, but that doesn't mean they were inspired by Top Gun. Dad's making a love story, which makes it entirely different from that film," Shahid states.
source-http://www.indianexpress.com

Mayank Shekhar's Review: Raat Gayi Baat Gayi

Posted by blog master Sunday, January 3, 2010

Aamir Khan as Akash and Preity Zinta as ShaliniImage via Wikipedia
Neha DhupiaReview: Raat Gayi Baat Gayi
Cast: Rajat Kapoor, Vinay Pathak, Neha Dhupia
Direction: Saurabh Shukla
Rating: **
With her husband sitting beside, the wife quickly sizes up a waiter at a coffeeshop, and bluntly passes him on her phone number. She looks at the husband then, and asks, “Now do you know how it feels to be hurt?”
There’s a touch of universal truth in that moment. It sort of explains why women should feel more betrayed when cheated on. They can quite often get whoever they want. Whether married, single, old or ugly, the fairer sex is rarely short of attention. They’re still seldom bowled over by flattery.
They keep their calm around male hunters; most of them being pests, anyway.
It’s usually the man who slips even if a stranger gave him half a look; a hint of an opening. His woman has probably a right to feel wasted on an ungracious loser.
The thought behind that scene (whether intended or not) is however completely lost on the film. The husband thereafter starts to ridiculously hum the Dil Chahta Hai song: ‘Jaane kyon log pyar karte hain…’ His wife imagines a flash of romance, and instantly hugs him back.
What’s true of that wasted scene is pretty much true of the entire film. That gentleman (Vinay Pathak) at the cafe, an unexplained moron in his manners, is kicked out of his house, caught chatting up a soft-porn stranger on the Internet. His best friend Kapoor (Rajat Kapoor) has a bigger issue to deal with. It isn’t clear if someone spiked his drink with ‘roofies’ at a perfectly sober party the night before. But a married Kapoor has absolutely no memory of an eventful night beyond a point. He can’t recall whether he did (or did not) bed this unknown, mysterious girl (Neha Dhupia), who’d apparently walked in with her boyfriend, walked around endlessly, blank-faced, in a backless dress, and who’d found Mr Kapoor’s first name Rahul, “interesting”. His wife’s been behaving differently since morning.
We hang on until the hung-over hero figures his momentary loss of reason and memory, moving back and forth to the party, or from one apartment or phone conversation to another; still dullness in the air; a local version of the Pakistani soft-voice, and box-guitar fusion, in the background.
You can sort of tell what the filmmakers could be trying to suggest: A bunch of mid-aged men — ‘pseudo’ Saxena, stone-faced Kapoor etc — going through mid-life crisis; fighting temptation over a “settled” life.
You realise quite early on the makers just don’t know how to make their wonderful point, besides for most parts, humourlessly tire you off to sleep. Even when they attempt the atmospherics, they get back with hollow conversations that mention Einstein, Ghalib and Rembrandt, and an unrelated profundity of the century: Why are all men the same. The picture is largely set at a party only as fake and boring as the flick itself. You could leave both.
Bashes in ‘Bollywood’ back in the day meant a grand piano at the centre. The hero crooned away his message of love. The heroine joined him for a dance. A huge crowd of suits and sarees gathered in a circle, quietly stared, and sipped their drink. Some white people floated in the back-rows. Oh we miss those! This one neither touches nor tickles. Better still, get us Hangover any day.
 source-http://www.hindustantimes.com

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Akshay Kumar won't charge a single penny for two of his films

Posted by blog master Wednesday, December 30, 2009

Akshay Kumar and Katrina Kaif as featured in t...Image via Wikipedia
Trade circles say that Bollywood superstar Akshay Kumar was reportedly signed for as high a fee as Rs 71 crore for a film, has had a change of mind.

Reliable market sources say that the entire completion cost of Akshay’s next two films –‘Khatta Meetha’ directed by Priyadarshan and ‘Tees Maar Khan’ directed by Farah Khan will reportedly not exceed Rs 35 crore.

According to one trade source the cost of making ‘Khatta Meetha’ and ‘Tees Maar Khan’ won’t include the actor’s fee.

The same source adds that when Akshay realised that his films ‘Chandni Chowk to China’, ‘Kambakkht Ishq’ and ‘Tasveer’ lost money because of his individual fee as an actor, he decided to make a market correction.

Having studied the current Bollywood trade scene, the actor has decided not to charge a single penny for his films.

However, Akki’s banner ‘Hari Om Productions’ is a co-producer of the films ‘Khatta Meetha’ and ‘Tees Maar Khan’.

The actor explains the logic behind this drastic move of not charging his market fee. He said that for both the films his fees will be Rs.0. If both films are hits, then the production house will stand to benefit by getting a part of the profits. If the film is average, the profit margin will automatically be reduced. And if the film flops, no one will lose money because the budget has been controlled. By not charging his personal remuneration as an actor, he has made sure that these films will at least romp home with no losses.

Trade sources say that the Akshay is being closely watched by all actors who have home productions.


 source-http://movies.indiatimes.com
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Priyanka to seduce seven husbands!

Posted by blog master

Chopra at the launch of the Filmfare magazine.Image via Wikipedia
After winning accolades for her twelve roles act in Ashutosh Gowariker’s Whats Your Raashee, Priyanka Chopra will now be seen seducing seven husbands in Vishal Bharadwaj’s next untitled venture. It is learnt that Priyanka has already started preparing for the tough act.

Buzz up!
A super excited Priyanka states, “Vishal’s next film is a huge canvas film and it really IS a challenging role for me. I am really looking forward to it. The film is a dark comedy and has been brilliantly written. In recent times, for me every role that I have performed be it Fashion, Kaminey or What’s Your Rashee, the films have been difficult and the roles a real tough challenge to portray. However, I believe they have brought out the best in me.”


While, director Vishal Bharadwaj has signed only Priyanka in the lead so far, it is still not known who will be playing the seven husbands opposite Priyanka. But it is definitely going to be interesting to watch who director Vishal Bharadwaj will be choosing for the seven roles.


source-www.entertainment.oneindia.in
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Filmfare AwardsImage via Wikipedia
Leading Kannada film actor Dr Vishnuvardhan passed away at Mysore in the wee hours of Wednesday following a cardiac arrest.

The 59-year-old actor, popularly known as Sahasasimha, had complained of chest pain on Tuesday night. However, he passed away at around 2.30 am while being taken to Vikram Hospital in Mysore, where he was being treated for a leg problem.

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